Six Courses Above Austin
How we covered an invitation-only dinner for Fast Lane Drive Austin and Marché ATX, from the place cards to the last pour of Louis XIII.
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An independent film studio that makes advertising for ambitious brands, from the first line of the script to the post that goes live.
Films, campaigns and event coverage for clubs, venues and brands in Austin. Each piece is written, shot and finished in house.
Fast Lane Drive Austin × Marché ATX
An invitation-only dinner overlooking the Austin skyline. Six courses by Marché ATX, classical guitar by candlelight, and a closing toast of 100-year-old Louis XIII. We covered the night in stills and a short film for the club's members and its social channels.
Fast Lane Drive × Red Box Restoration
A public supercar meetup and after party at Red Box Restoration in Austin. We ran the campaign from first teaser to final thank-you: countdowns, interviews with club members, coverage on the day, and recaps for the sponsors who made it happen.
Fast Lane Drive
A short film introducing the club's Austin chapter: downtown, the river and the open road, shot from the street and from the air.
Fast Lane Drive
A morning drive through Austin's backroads into a private lunch at The W downtown, then an afternoon by the pool. One day, cut into one minute.
The same people carry an idea from the page to the published post, so nothing gets lost between stages.
We find the idea and write it down: concept, story and the words on screen.
We plan the shoot and capture it, on location or in studio.
We shape the footage into a finished piece with pace, sound and color.
We cut every format the work needs and get it in front of the right audience.
Flow Media Collective works like an independent film studio and thinks like an ad agency. We bring a filmmaker's eye to brand work, and we bring a brief's discipline to every frame.
We launched in January 2025 telling the story of Fast Lane Drive Texas, a supercar club, and we've been on the road with them since: drives, dinners, interviews and the campaigns around them.
Notes from set and from the edit: how the work gets made, and what we learn making it.
How we covered an invitation-only dinner for Fast Lane Drive Austin and Marché ATX, from the place cards to the last pour of Louis XIII.
Read the story →The campaign behind a public supercar meetup at Red Box Restoration, from the first teaser to the last sponsor thank-you.
Read the story →What a year with Fast Lane Drive taught us about filming a community instead of a product.
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New Flow Technologies LLC, doing business as Flow Media Collective
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An invitation-only dinner, a skyline view and a 100-year-old cognac. Here's how we covered a night designed to be savored.
In May 2025, Fast Lane Drive Austin invited its members to a private dinner overlooking the Austin skyline. Marché ATX curated the evening. Their idea was the French countryside brought into the city, with candlelight, floral linens and a menu built from organic, locally sourced ingredients.
We were there to capture it. That meant two jobs at once: show the people who weren't in the room what they missed, and give the people who were there something worth keeping.
Guests arrived in cocktail attire and found miniature sports cars as place cards, with conversation cards at every setting to get strangers talking. A classical guitarist played while the room filled. Nothing was left to chance except who you'd be seated next to.
Those details became our shot list. We photographed the place cards, the glassware and the plates as carefully as the guests, because in a room like that the small things tell you how much care went into the night.
Marché ATX served six courses:
To close the night, guests were served 100-year-old Louis XIII cognac in crystal glasses that rang in a perfect C when raised for a toast. We made sure we had that moment.
The photographs went out as two carousel posts, 25 images in all. We also cut a 17-second film that opens on a single line: you step into an invitation-only evening where horsepower meets high society in Austin, Texas. It's short on purpose. A film about a dinner should leave you hungry.
Here's to the rooms where everyone belongs, but only a few are invited.From the post that closed out the night
One Saturday, one venue, four hours. This is the campaign we built to get Austin there, and what we posted after.
On Saturday, March 29, 2025, Fast Lane Drive Texas and Red Box Restoration opened the doors for a supercar meetup and after party, from 11 AM to 3 PM, and open to the public. Fast Lane Drive is a members' club, so this was a chance to show the wider city what it's about. Our job was to make people want to be there.
We posted 14 Reels between March 18 and April 5. Looking back, they fall into five stages.
Supercars stop the scroll. That's why the first Reels led with them. But people don't buy a ticket to look at a car they could see in a photo. They come for the people, so the middle of the campaign belonged to the members, in the driver's seat and in their own words.
The line we kept coming back to was the one the club uses itself: come for the cars, stay for the connections.
The sponsor recaps weren't an afterthought. They thanked the partners publicly, they showed everyone who missed the day what it looked like, and they set up the next event before this one had cooled down.
Huge thanks to everyone who joined us for an amazing event with @fastlanedrive! We're incredibly grateful for the opportunity to host. Special shoutout to @flowmediacollective for bringing it all together.Red Box Restoration, after the event
We started Flow Media Collective filming a supercar club. The most important thing we learned is that the cars aren't the story.
We introduced Flow Media Collective in January 2025 with a Reel made alongside Fast Lane Drive Texas, filmed on the club's first drive of the year. It's easy to film a supercar well. The light hits the paint, the engine does the sound design, and the shot looks expensive. We learned quickly that a beautiful car isn't a story.
The club says it better than we can: it's more than the cars. It's the community you arrive with, and the one you stay for. That idea has shaped how we've filmed everything since.
Our member stories begin with someone, not something. One of the first was Grant's, who grew up around airports and traded jet fuel for supercars. The cars appear in the film, but the reason to watch is him. Many of our interviews happen in the car, on the drive, where people tend to forget the camera is there.
When the club asked for a film to introduce its Austin chapter, we didn't stay in the parking lot. We took the cars downtown, put the skyline and Lady Bird Lake in frame, and went overhead to show the cars moving through the city. Austin is part of what the members are signing up for, so it belonged in the film.
For a day at The W, we covered everything that happened, not just the arrival. That meant a morning drive through Austin's backroads, valet at the hotel, a private lunch with a view and an afternoon by the pool. The one-minute film moves through all of it. The cars get you there, and the rest of the day is why people go.
Not just a car club; a way of life.Fast Lane Drive Austin
If your brand is really about the people around it, we'd like to hear about it.